Tuesday, December 23, 2008

The Big Movie : Hilariousness & a Type of Confusion

Hilariousness:
Our ringleader in the city slum, Mohammed, was put to the task of finding and dressing 2-3 school children on a Sunday while we were shooting with the lead actress, Asana. At an interim between scenes with her, Mohammed tells us to hurry and shoot with the kids. Because of his tone of urgency I reluctantly said okay.

David entered the room where he keeps the equipment and was totally surprised when more than 25 three year olds dressed for school started crying! David and I had to hide behind a corner with the camera because they were afraid of us (common at their age). Finally the kids calmed down, after given candy, on a bench. Of course the bench topples and they all start crying again!

Type of Confusion: Asana disappeared after shooting with the kids and we thought the mafia man took her only to realize later she fell asleep while waiting for us.

Friday, December 19, 2008

The Big Movie : Utter Fear and Hilariousness

Utter Fear;
Upon arrival to the city slum we had to get permission to shoot. Similar to the customs at the village we had to go around to different elders and opinion leaders to present our identity and cause. Everyone accepted until we got to the "mafia man." Like out of a movie he threatened to impound the camera if we didn't comply with him so we did what he said.

The first time we met him was next to a bus at the main station for exporting goods abroad (his job-area and terrain). When he didn't offer us shade I knew something was up. He said we were rude for not greeting him at his house and that we would need to come back in an hour. An hour later he is nowhere to be found. The next morning we go to his house and back to the station. We had to wait outside a fast food place more than an hour for him to let us in. Then after talking at him and his goons he said he had to go to a baby naming and we needed to come again.

At this point we had wasted quite a bit of shooting time waiting for his permission and everyone knew it. We were told to forget him. But how? When one is surrounded by people in a market, who surely work for him? Finally, divided and confused, we run into an NGO worker and fluent English speaker. He explains that this man is just a "youth leader" in a certain area and we can "forget" him. The camera will not be imploded and we have rights and this man just wants money.

So we start shooting. We didn't trust anyone anymore for leading us to this trap.

Hilariousness;
As we are starting to prepare the first shot in the Slum some men call David & Abdulai over to ask them what the hell they think they are doing. I decided I would watch from a distance, and as the crowd and voices grew I was scared and took out my fear on the kids getting too close to the camera I was guarding. It ended and I frantically asked David what happened. He said there was one guy who was really angry and the others were yelling at him. In the end they said "we should do a really good job."

Wednesday, December 10, 2008

The Big Movie

Dec 10 - Jan 9

It was planned, researched, re-planned, interrupted, refreshed, then finally - it happened. There was a lot going on. Abdulai was in recovery, I was in re-entry, and new people on the scene; Nash Imoru, a friend (and Kari's BF) living in Tamale as a teacher for the deaf, and David Kavanaugh, a friend from learning film. They both appeared like magic as the clock almost stopped ticking and wound it up.

We had a wild ride of utter fear, hilariousness, generosity/ bribes, role confusion, mis-communication of all kinds, theft, fire, hunger/ thirst, depression, alienation, jubilation, realization, and companionship. Too bad we didn't shoot it but then we'd have another list. I'll try to share some highlighted examples.